Stephanie Syjuco

b. 1974

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Stephanie Syjuco creates large-scale spectacles of collected cultural objects, cumulative archives, and temporary vending installations, often with an active public component that invites viewers to directly participate as producers or distributors. Working primarily in sculpture and installation, her projects leverage open-source systems, shareware logic, and flows of capital, creating frictions between high ideals and everyday materials. This has included starting a global collaborative project with crochet crafters to counterfeit high-end consumer goods; presenting a parasitic art counterfeiting event, "COPYSTAND: An Autonomous Manufacturing Zone" for Frieze Projects, London (2009); and “Shadowshop,” an alternative vending outlet embedded at The San Francisco Museum of Modern Art exploring the ways in which artists are navigating the production, consumption, and dissemination of their work (2010-11). A recent collaboration with the  FLACC Workplace for Visual Artists in Genk, Belgium, involved 3-D scanning of Belgian and Congolese antiquities to produce hybrid ceramic objects addressing the legacy of colonialism, empire, and trade routes.
 
Born in the Philippines, she received her M.F.A. from Stanford University and B.F.A. from the San Francisco Art Institute. She is the recipient of numerous awards, including a 2014 John Simon Guggenheim Fellowship Award and a 2009 Joan Mitchell Painters and Sculptors Award. Her work has been included in exhibitions at Museum of Modern Art PS1 In New York, the Whitney Museum of American Art, The 12th Havana Biennale, The Bucharest Biennale, The San Francisco Museum of Modern Art, ZKM Center for Art and Technology, Germany; Z33 Space for Contemporary Art, Belgium; Universal Studios Gallery Beijing; and the California Biennial at the Orange County Museum of Art, among others. She is an Assistant Professor in Sculpture at the University of California, Berkeley, and lives and works in San Francisco.

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Brown Chanel Handbag

Stephanie Syjuco

2006 - 2015 Photograph of crochet project Courtesy of the artist From "The Counterfeit Crochet Project (Critique of a Political Economy)

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Stephanie Syjuco

b. 1974
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  • See All Works
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Stephanie Syjuco creates large-scale spectacles of collected cultural objects, cumulative archives, and temporary vending installations, often with an active public component that invites viewers to directly participate as producers or distributors. Working primarily in sculpture and installation, her projects leverage open-source systems, shareware logic, and flows of capital, creating frictions between high ideals and everyday materials. This has included starting a global collaborative project with crochet crafters to counterfeit high-end consumer goods; presenting a parasitic art counterfeiting event, "COPYSTAND: An Autonomous Manufacturing Zone" for Frieze Projects, London (2009); and “Shadowshop,” an alternative vending outlet embedded at The San Francisco Museum of Modern Art exploring the ways in which artists are navigating the production, consumption, and dissemination of their work (2010-11). A recent collaboration with the  FLACC Workplace for Visual Artists in Genk, Belgium, involved 3-D scanning of Belgian and Congolese antiquities to produce hybrid ceramic objects addressing the legacy of colonialism, empire, and trade routes.
 
Born in the Philippines, she received her M.F.A. from Stanford University and B.F.A. from the San Francisco Art Institute. She is the recipient of numerous awards, including a 2014 John Simon Guggenheim Fellowship Award and a 2009 Joan Mitchell Painters and Sculptors Award. Her work has been included in exhibitions at Museum of Modern Art PS1 In New York, the Whitney Museum of American Art, The 12th Havana Biennale, The Bucharest Biennale, The San Francisco Museum of Modern Art, ZKM Center for Art and Technology, Germany; Z33 Space for Contemporary Art, Belgium; Universal Studios Gallery Beijing; and the California Biennial at the Orange County Museum of Art, among others. She is an Assistant Professor in Sculpture at the University of California, Berkeley, and lives and works in San Francisco.

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  • Born: The Philippines
  • Based: San Francisco, CA, USA

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Dolce and Gabbana Handbag

Stephanie Syjuco

2006 - 2015 Photograph of crochet project Courtesy of the artist From "The Counterfeit Crochet Project (Critique of a Political Economy) Created by Diana, Portland, OR, (2007)

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Stephanie Syjuco

b. 1974
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  • See All Works
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Stephanie Syjuco creates large-scale spectacles of collected cultural objects, cumulative archives, and temporary vending installations, often with an active public component that invites viewers to directly participate as producers or distributors. Working primarily in sculpture and installation, her projects leverage open-source systems, shareware logic, and flows of capital, creating frictions between high ideals and everyday materials. This has included starting a global collaborative project with crochet crafters to counterfeit high-end consumer goods; presenting a parasitic art counterfeiting event, "COPYSTAND: An Autonomous Manufacturing Zone" for Frieze Projects, London (2009); and “Shadowshop,” an alternative vending outlet embedded at The San Francisco Museum of Modern Art exploring the ways in which artists are navigating the production, consumption, and dissemination of their work (2010-11). A recent collaboration with the  FLACC Workplace for Visual Artists in Genk, Belgium, involved 3-D scanning of Belgian and Congolese antiquities to produce hybrid ceramic objects addressing the legacy of colonialism, empire, and trade routes.
 
Born in the Philippines, she received her M.F.A. from Stanford University and B.F.A. from the San Francisco Art Institute. She is the recipient of numerous awards, including a 2014 John Simon Guggenheim Fellowship Award and a 2009 Joan Mitchell Painters and Sculptors Award. Her work has been included in exhibitions at Museum of Modern Art PS1 In New York, the Whitney Museum of American Art, The 12th Havana Biennale, The Bucharest Biennale, The San Francisco Museum of Modern Art, ZKM Center for Art and Technology, Germany; Z33 Space for Contemporary Art, Belgium; Universal Studios Gallery Beijing; and the California Biennial at the Orange County Museum of Art, among others. She is an Assistant Professor in Sculpture at the University of California, Berkeley, and lives and works in San Francisco.

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  • Born: The Philippines
  • Based: San Francisco, CA, USA

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Images of participants, work samples, and black market commerce

Stephanie Syjuco

2006 - 2015 Photograph of crochet project Courtesy of the artist From "The Counterfeit Crochet Project (Critique of a Political Economy)

Images of participants, work samples, and black market commerce full view

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Stephanie Syjuco

b. 1974
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  • See All Works
  • visit website

Stephanie Syjuco creates large-scale spectacles of collected cultural objects, cumulative archives, and temporary vending installations, often with an active public component that invites viewers to directly participate as producers or distributors. Working primarily in sculpture and installation, her projects leverage open-source systems, shareware logic, and flows of capital, creating frictions between high ideals and everyday materials. This has included starting a global collaborative project with crochet crafters to counterfeit high-end consumer goods; presenting a parasitic art counterfeiting event, "COPYSTAND: An Autonomous Manufacturing Zone" for Frieze Projects, London (2009); and “Shadowshop,” an alternative vending outlet embedded at The San Francisco Museum of Modern Art exploring the ways in which artists are navigating the production, consumption, and dissemination of their work (2010-11). A recent collaboration with the  FLACC Workplace for Visual Artists in Genk, Belgium, involved 3-D scanning of Belgian and Congolese antiquities to produce hybrid ceramic objects addressing the legacy of colonialism, empire, and trade routes.
 
Born in the Philippines, she received her M.F.A. from Stanford University and B.F.A. from the San Francisco Art Institute. She is the recipient of numerous awards, including a 2014 John Simon Guggenheim Fellowship Award and a 2009 Joan Mitchell Painters and Sculptors Award. Her work has been included in exhibitions at Museum of Modern Art PS1 In New York, the Whitney Museum of American Art, The 12th Havana Biennale, The Bucharest Biennale, The San Francisco Museum of Modern Art, ZKM Center for Art and Technology, Germany; Z33 Space for Contemporary Art, Belgium; Universal Studios Gallery Beijing; and the California Biennial at the Orange County Museum of Art, among others. She is an Assistant Professor in Sculpture at the University of California, Berkeley, and lives and works in San Francisco.

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  • Born: The Philippines
  • Based: San Francisco, CA, USA

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Downloadable PDF tip sheets on how to create counterfeit looks

Stephanie Syjuco

2006 - 2015 PDF document Photo by Otto von Busch Courtesy of the artist Counterfeiting workshops at Garanti Gallery, Istanbul, 2007 From "The Counterfeit Crochet Project (Critique of a Political Economy)"

Downloadable PDF tip sheets on how to create counterfeit looks full view

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Stephanie Syjuco

b. 1974
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  • See All Works
  • visit website

Stephanie Syjuco creates large-scale spectacles of collected cultural objects, cumulative archives, and temporary vending installations, often with an active public component that invites viewers to directly participate as producers or distributors. Working primarily in sculpture and installation, her projects leverage open-source systems, shareware logic, and flows of capital, creating frictions between high ideals and everyday materials. This has included starting a global collaborative project with crochet crafters to counterfeit high-end consumer goods; presenting a parasitic art counterfeiting event, "COPYSTAND: An Autonomous Manufacturing Zone" for Frieze Projects, London (2009); and “Shadowshop,” an alternative vending outlet embedded at The San Francisco Museum of Modern Art exploring the ways in which artists are navigating the production, consumption, and dissemination of their work (2010-11). A recent collaboration with the  FLACC Workplace for Visual Artists in Genk, Belgium, involved 3-D scanning of Belgian and Congolese antiquities to produce hybrid ceramic objects addressing the legacy of colonialism, empire, and trade routes.
 
Born in the Philippines, she received her M.F.A. from Stanford University and B.F.A. from the San Francisco Art Institute. She is the recipient of numerous awards, including a 2014 John Simon Guggenheim Fellowship Award and a 2009 Joan Mitchell Painters and Sculptors Award. Her work has been included in exhibitions at Museum of Modern Art PS1 In New York, the Whitney Museum of American Art, The 12th Havana Biennale, The Bucharest Biennale, The San Francisco Museum of Modern Art, ZKM Center for Art and Technology, Germany; Z33 Space for Contemporary Art, Belgium; Universal Studios Gallery Beijing; and the California Biennial at the Orange County Museum of Art, among others. She is an Assistant Professor in Sculpture at the University of California, Berkeley, and lives and works in San Francisco.

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  • Born: The Philippines
  • Based: San Francisco, CA, USA

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Louis Vuitton Murakami Papillon Bag (detail)

Stephanie Syjuco

2006 - 2015 Photograph of crochet project Courtesy of the artist From "The Counterfeit Crochet Project (Critique of a Political Economy) Created by Katie Furuyama, Tokyo, Japan (2008)

Louis Vuitton Murakami Papillon Bag (detail) full view

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Stephanie Syjuco

b. 1974
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  • See All Works
  • visit website

Stephanie Syjuco creates large-scale spectacles of collected cultural objects, cumulative archives, and temporary vending installations, often with an active public component that invites viewers to directly participate as producers or distributors. Working primarily in sculpture and installation, her projects leverage open-source systems, shareware logic, and flows of capital, creating frictions between high ideals and everyday materials. This has included starting a global collaborative project with crochet crafters to counterfeit high-end consumer goods; presenting a parasitic art counterfeiting event, "COPYSTAND: An Autonomous Manufacturing Zone" for Frieze Projects, London (2009); and “Shadowshop,” an alternative vending outlet embedded at The San Francisco Museum of Modern Art exploring the ways in which artists are navigating the production, consumption, and dissemination of their work (2010-11). A recent collaboration with the  FLACC Workplace for Visual Artists in Genk, Belgium, involved 3-D scanning of Belgian and Congolese antiquities to produce hybrid ceramic objects addressing the legacy of colonialism, empire, and trade routes.
 
Born in the Philippines, she received her M.F.A. from Stanford University and B.F.A. from the San Francisco Art Institute. She is the recipient of numerous awards, including a 2014 John Simon Guggenheim Fellowship Award and a 2009 Joan Mitchell Painters and Sculptors Award. Her work has been included in exhibitions at Museum of Modern Art PS1 In New York, the Whitney Museum of American Art, The 12th Havana Biennale, The Bucharest Biennale, The San Francisco Museum of Modern Art, ZKM Center for Art and Technology, Germany; Z33 Space for Contemporary Art, Belgium; Universal Studios Gallery Beijing; and the California Biennial at the Orange County Museum of Art, among others. She is an Assistant Professor in Sculpture at the University of California, Berkeley, and lives and works in San Francisco.

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  • Born: The Philippines
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Pattern Migration

Stephanie Syjuco

2011 Two nineteenth-century woven textiles, three hand-woven contemporary textiles, mass produced plastic shopping bags, hand-sewn wool bags, and five kilometers of printed plastic fabric on rolls Installation; variable dimensions for individual components Commissioned by the Columbus Museum of Art, Ohio

Pattern Migration full view

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Stephanie Syjuco

b. 1974
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  • See All Works
  • visit website

Stephanie Syjuco creates large-scale spectacles of collected cultural objects, cumulative archives, and temporary vending installations, often with an active public component that invites viewers to directly participate as producers or distributors. Working primarily in sculpture and installation, her projects leverage open-source systems, shareware logic, and flows of capital, creating frictions between high ideals and everyday materials. This has included starting a global collaborative project with crochet crafters to counterfeit high-end consumer goods; presenting a parasitic art counterfeiting event, "COPYSTAND: An Autonomous Manufacturing Zone" for Frieze Projects, London (2009); and “Shadowshop,” an alternative vending outlet embedded at The San Francisco Museum of Modern Art exploring the ways in which artists are navigating the production, consumption, and dissemination of their work (2010-11). A recent collaboration with the  FLACC Workplace for Visual Artists in Genk, Belgium, involved 3-D scanning of Belgian and Congolese antiquities to produce hybrid ceramic objects addressing the legacy of colonialism, empire, and trade routes.
 
Born in the Philippines, she received her M.F.A. from Stanford University and B.F.A. from the San Francisco Art Institute. She is the recipient of numerous awards, including a 2014 John Simon Guggenheim Fellowship Award and a 2009 Joan Mitchell Painters and Sculptors Award. Her work has been included in exhibitions at Museum of Modern Art PS1 In New York, the Whitney Museum of American Art, The 12th Havana Biennale, The Bucharest Biennale, The San Francisco Museum of Modern Art, ZKM Center for Art and Technology, Germany; Z33 Space for Contemporary Art, Belgium; Universal Studios Gallery Beijing; and the California Biennial at the Orange County Museum of Art, among others. She is an Assistant Professor in Sculpture at the University of California, Berkeley, and lives and works in San Francisco.

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  • Born: The Philippines
  • Based: San Francisco, CA, USA

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Pattern Migration

Stephanie Syjuco

2011 Two nineteenth-century woven textiles, three hand-woven contemporary textiles, mass produced plastic shopping bags, hand-sewn wool bags, and five kilometers of printed plastic fabric on rolls Installation; variable dimensions for individual components Commissioned by the Columbus Museum of Art, Ohio

Pattern Migration full view

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Stephanie Syjuco

b. 1974
image description
  • See All Works
  • visit website

Stephanie Syjuco creates large-scale spectacles of collected cultural objects, cumulative archives, and temporary vending installations, often with an active public component that invites viewers to directly participate as producers or distributors. Working primarily in sculpture and installation, her projects leverage open-source systems, shareware logic, and flows of capital, creating frictions between high ideals and everyday materials. This has included starting a global collaborative project with crochet crafters to counterfeit high-end consumer goods; presenting a parasitic art counterfeiting event, "COPYSTAND: An Autonomous Manufacturing Zone" for Frieze Projects, London (2009); and “Shadowshop,” an alternative vending outlet embedded at The San Francisco Museum of Modern Art exploring the ways in which artists are navigating the production, consumption, and dissemination of their work (2010-11). A recent collaboration with the  FLACC Workplace for Visual Artists in Genk, Belgium, involved 3-D scanning of Belgian and Congolese antiquities to produce hybrid ceramic objects addressing the legacy of colonialism, empire, and trade routes.
 
Born in the Philippines, she received her M.F.A. from Stanford University and B.F.A. from the San Francisco Art Institute. She is the recipient of numerous awards, including a 2014 John Simon Guggenheim Fellowship Award and a 2009 Joan Mitchell Painters and Sculptors Award. Her work has been included in exhibitions at Museum of Modern Art PS1 In New York, the Whitney Museum of American Art, The 12th Havana Biennale, The Bucharest Biennale, The San Francisco Museum of Modern Art, ZKM Center for Art and Technology, Germany; Z33 Space for Contemporary Art, Belgium; Universal Studios Gallery Beijing; and the California Biennial at the Orange County Museum of Art, among others. She is an Assistant Professor in Sculpture at the University of California, Berkeley, and lives and works in San Francisco.

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  • Born: The Philippines
  • Based: San Francisco, CA, USA

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Pattern Migration

Stephanie Syjuco

2011 Two nineteenth-century woven textiles, three hand-woven contemporary textiles, mass produced plastic shopping bags, hand-sewn wool bags, and five kilometers of printed plastic fabric on rolls Installation; variable dimensions for individual components Commissioned by the Columbus Museum of Art, Ohio

Pattern Migration full view

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Stephanie Syjuco

b. 1974
image description
  • See All Works
  • visit website

Stephanie Syjuco creates large-scale spectacles of collected cultural objects, cumulative archives, and temporary vending installations, often with an active public component that invites viewers to directly participate as producers or distributors. Working primarily in sculpture and installation, her projects leverage open-source systems, shareware logic, and flows of capital, creating frictions between high ideals and everyday materials. This has included starting a global collaborative project with crochet crafters to counterfeit high-end consumer goods; presenting a parasitic art counterfeiting event, "COPYSTAND: An Autonomous Manufacturing Zone" for Frieze Projects, London (2009); and “Shadowshop,” an alternative vending outlet embedded at The San Francisco Museum of Modern Art exploring the ways in which artists are navigating the production, consumption, and dissemination of their work (2010-11). A recent collaboration with the  FLACC Workplace for Visual Artists in Genk, Belgium, involved 3-D scanning of Belgian and Congolese antiquities to produce hybrid ceramic objects addressing the legacy of colonialism, empire, and trade routes.
 
Born in the Philippines, she received her M.F.A. from Stanford University and B.F.A. from the San Francisco Art Institute. She is the recipient of numerous awards, including a 2014 John Simon Guggenheim Fellowship Award and a 2009 Joan Mitchell Painters and Sculptors Award. Her work has been included in exhibitions at Museum of Modern Art PS1 In New York, the Whitney Museum of American Art, The 12th Havana Biennale, The Bucharest Biennale, The San Francisco Museum of Modern Art, ZKM Center for Art and Technology, Germany; Z33 Space for Contemporary Art, Belgium; Universal Studios Gallery Beijing; and the California Biennial at the Orange County Museum of Art, among others. She is an Assistant Professor in Sculpture at the University of California, Berkeley, and lives and works in San Francisco.

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  • Born: The Philippines
  • Based: San Francisco, CA, USA

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Pattern Migration

Stephanie Syjuco

2011 Two nineteenth-century woven textiles, three hand-woven contemporary textiles, mass produced plastic shopping bags, hand-sewn wool bags, and five kilometers of printed plastic fabric on rolls Installation; variable dimensions for individual components Commissioned by the Columbus Museum of Art, Ohio

Pattern Migration full view

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Stephanie Syjuco

b. 1974
image description
  • See All Works
  • visit website

Stephanie Syjuco creates large-scale spectacles of collected cultural objects, cumulative archives, and temporary vending installations, often with an active public component that invites viewers to directly participate as producers or distributors. Working primarily in sculpture and installation, her projects leverage open-source systems, shareware logic, and flows of capital, creating frictions between high ideals and everyday materials. This has included starting a global collaborative project with crochet crafters to counterfeit high-end consumer goods; presenting a parasitic art counterfeiting event, "COPYSTAND: An Autonomous Manufacturing Zone" for Frieze Projects, London (2009); and “Shadowshop,” an alternative vending outlet embedded at The San Francisco Museum of Modern Art exploring the ways in which artists are navigating the production, consumption, and dissemination of their work (2010-11). A recent collaboration with the  FLACC Workplace for Visual Artists in Genk, Belgium, involved 3-D scanning of Belgian and Congolese antiquities to produce hybrid ceramic objects addressing the legacy of colonialism, empire, and trade routes.
 
Born in the Philippines, she received her M.F.A. from Stanford University and B.F.A. from the San Francisco Art Institute. She is the recipient of numerous awards, including a 2014 John Simon Guggenheim Fellowship Award and a 2009 Joan Mitchell Painters and Sculptors Award. Her work has been included in exhibitions at Museum of Modern Art PS1 In New York, the Whitney Museum of American Art, The 12th Havana Biennale, The Bucharest Biennale, The San Francisco Museum of Modern Art, ZKM Center for Art and Technology, Germany; Z33 Space for Contemporary Art, Belgium; Universal Studios Gallery Beijing; and the California Biennial at the Orange County Museum of Art, among others. She is an Assistant Professor in Sculpture at the University of California, Berkeley, and lives and works in San Francisco.

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location

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  • Born: The Philippines
  • Based: San Francisco, CA, USA

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Pattern Migration

Stephanie Syjuco

2011 Two nineteenth-century woven textiles, three hand-woven contemporary textiles, mass produced plastic shopping bags, hand-sewn wool bags, and five kilometers of printed plastic fabric on rolls Installation; variable dimensions for individual components Commissioned by the Columbus Museum of Art, Ohio

Pattern Migration full view

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Stephanie Syjuco

b. 1974
image description
  • See All Works
  • visit website

Stephanie Syjuco creates large-scale spectacles of collected cultural objects, cumulative archives, and temporary vending installations, often with an active public component that invites viewers to directly participate as producers or distributors. Working primarily in sculpture and installation, her projects leverage open-source systems, shareware logic, and flows of capital, creating frictions between high ideals and everyday materials. This has included starting a global collaborative project with crochet crafters to counterfeit high-end consumer goods; presenting a parasitic art counterfeiting event, "COPYSTAND: An Autonomous Manufacturing Zone" for Frieze Projects, London (2009); and “Shadowshop,” an alternative vending outlet embedded at The San Francisco Museum of Modern Art exploring the ways in which artists are navigating the production, consumption, and dissemination of their work (2010-11). A recent collaboration with the  FLACC Workplace for Visual Artists in Genk, Belgium, involved 3-D scanning of Belgian and Congolese antiquities to produce hybrid ceramic objects addressing the legacy of colonialism, empire, and trade routes.
 
Born in the Philippines, she received her M.F.A. from Stanford University and B.F.A. from the San Francisco Art Institute. She is the recipient of numerous awards, including a 2014 John Simon Guggenheim Fellowship Award and a 2009 Joan Mitchell Painters and Sculptors Award. Her work has been included in exhibitions at Museum of Modern Art PS1 In New York, the Whitney Museum of American Art, The 12th Havana Biennale, The Bucharest Biennale, The San Francisco Museum of Modern Art, ZKM Center for Art and Technology, Germany; Z33 Space for Contemporary Art, Belgium; Universal Studios Gallery Beijing; and the California Biennial at the Orange County Museum of Art, among others. She is an Assistant Professor in Sculpture at the University of California, Berkeley, and lives and works in San Francisco.

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location

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  • Born: The Philippines
  • Based: San Francisco, CA, USA

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