Kat Larson

b. 1979

image description

Kat Larson is a Seattle-based cross-disciplinary artist. Her art practice includes printmaking, painting, small scale sculpture, performance and video. She is currently focusing on video and performative installations and exploring her body as a conduit for spiritual connections, specifically with her female ancestors whom she has tagged “BloodMuthas.” Outside of video and performance, she continues to work with striking found objects, clay, encaustics, and organic materials such as dead bees and dirt.

Photograph by Lindsay Borden.

My name is Kat Larson, and I am bi-racial woman practicing fine art in the Pacific Northwest. My current artistic focus is exploring the intersections of new media/digital technologies and performance art. Fueling my practice are the themes of identity and spirituality and investigations of collective consciousness. At the core of my artistic expressions is a reverence for human connectivities and transformations.

I envision the art that I produce affecting positively those who come into contact with my work, as it invites people to travel into the often dark corners of human experience that people dare travel to on their own. However unknown and frightening these spaces are, my work reaches out to viewers—asking them for their trust—and assuages their anxiety through meaningful interactions with questions, ideas, and concepts that are embedded in my work. My audience can feel the strength of my feminine powers. Though sometimes very raw in form and expressiveness, my work nonetheless provokes people to ask important questions about matriarchy, ancestry, sexuality, and life and death. These are topics that connect us as individuals and as part of the many communities in which we find ourselves. When we publicly engage in this type of discourse, we not only realize our connectivity but also transformative strategies for the betterment of humanity. In short, my work initiates critical and timely conversations about community.

Rachel Ishikawa, CA+T Interviews Kat Larson, July 15, 2015. 

ghost in the diner

Kat Larson

2016 Archival ink jet print on rag paper 20 x 30 inches, edition of 3 Courtesy of the artist and Bridge Productions From The Ghost of Vega series

contributor

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Kat Larson

b. 1979

Kat Larson is a Seattle-based cross-disciplinary artist. Her art practice includes printmaking, painting, small scale sculpture, performance and video. She is currently focusing on video and performative installations and exploring her body as a conduit for spiritual connections, specifically with her female ancestors whom she has tagged “BloodMuthas.” Outside of video and performance, she continues to work with striking found objects, clay, encaustics, and organic materials such as dead bees and dirt.

Photograph by Lindsay Borden.

My name is Kat Larson, and I am bi-racial woman practicing fine art in the Pacific Northwest. My current artistic focus is exploring the intersections of new media/digital technologies and performance art. Fueling my practice are the themes of identity and spirituality and investigations of collective consciousness. At the core of my artistic expressions is a reverence for human connectivities and transformations.

I envision the art that I produce affecting positively those who come into contact with my work, as it invites people to travel into the often dark corners of human experience that people dare travel to on their own. However unknown and frightening these spaces are, my work reaches out to viewers—asking them for their trust—and assuages their anxiety through meaningful interactions with questions, ideas, and concepts that are embedded in my work. My audience can feel the strength of my feminine powers. Though sometimes very raw in form and expressiveness, my work nonetheless provokes people to ask important questions about matriarchy, ancestry, sexuality, and life and death. These are topics that connect us as individuals and as part of the many communities in which we find ourselves. When we publicly engage in this type of discourse, we not only realize our connectivity but also transformative strategies for the betterment of humanity. In short, my work initiates critical and timely conversations about community.

location

X
  • Born: Seattle, WA, USA
  • Based: Seattle, WA, USA

comments

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wedding rings

Kat Larson

2016 Archival ink jet print on rag paper 20 x 30 inches, edition of 3 Courtesy of the artist and Bridge Productions From The Ghost of Vega series

contributor

X

Kat Larson

b. 1979

Kat Larson is a Seattle-based cross-disciplinary artist. Her art practice includes printmaking, painting, small scale sculpture, performance and video. She is currently focusing on video and performative installations and exploring her body as a conduit for spiritual connections, specifically with her female ancestors whom she has tagged “BloodMuthas.” Outside of video and performance, she continues to work with striking found objects, clay, encaustics, and organic materials such as dead bees and dirt.

Photograph by Lindsay Borden.

My name is Kat Larson, and I am bi-racial woman practicing fine art in the Pacific Northwest. My current artistic focus is exploring the intersections of new media/digital technologies and performance art. Fueling my practice are the themes of identity and spirituality and investigations of collective consciousness. At the core of my artistic expressions is a reverence for human connectivities and transformations.

I envision the art that I produce affecting positively those who come into contact with my work, as it invites people to travel into the often dark corners of human experience that people dare travel to on their own. However unknown and frightening these spaces are, my work reaches out to viewers—asking them for their trust—and assuages their anxiety through meaningful interactions with questions, ideas, and concepts that are embedded in my work. My audience can feel the strength of my feminine powers. Though sometimes very raw in form and expressiveness, my work nonetheless provokes people to ask important questions about matriarchy, ancestry, sexuality, and life and death. These are topics that connect us as individuals and as part of the many communities in which we find ourselves. When we publicly engage in this type of discourse, we not only realize our connectivity but also transformative strategies for the betterment of humanity. In short, my work initiates critical and timely conversations about community.

location

X
  • Born: Seattle, WA, USA
  • Based: Seattle, WA, USA

comments

X

on the tracks of south dakota (the ghost prays for us)

Kat Larson

2016 Archival ink jet print on rag paper 20" x 30", edition of 3 Courtesy of the artist and Bridge Productions From The Ghost of Vega series

contributor

X

Kat Larson

b. 1979

Kat Larson is a Seattle-based cross-disciplinary artist. Her art practice includes printmaking, painting, small scale sculpture, performance and video. She is currently focusing on video and performative installations and exploring her body as a conduit for spiritual connections, specifically with her female ancestors whom she has tagged “BloodMuthas.” Outside of video and performance, she continues to work with striking found objects, clay, encaustics, and organic materials such as dead bees and dirt.

Photograph by Lindsay Borden.

My name is Kat Larson, and I am bi-racial woman practicing fine art in the Pacific Northwest. My current artistic focus is exploring the intersections of new media/digital technologies and performance art. Fueling my practice are the themes of identity and spirituality and investigations of collective consciousness. At the core of my artistic expressions is a reverence for human connectivities and transformations.

I envision the art that I produce affecting positively those who come into contact with my work, as it invites people to travel into the often dark corners of human experience that people dare travel to on their own. However unknown and frightening these spaces are, my work reaches out to viewers—asking them for their trust—and assuages their anxiety through meaningful interactions with questions, ideas, and concepts that are embedded in my work. My audience can feel the strength of my feminine powers. Though sometimes very raw in form and expressiveness, my work nonetheless provokes people to ask important questions about matriarchy, ancestry, sexuality, and life and death. These are topics that connect us as individuals and as part of the many communities in which we find ourselves. When we publicly engage in this type of discourse, we not only realize our connectivity but also transformative strategies for the betterment of humanity. In short, my work initiates critical and timely conversations about community.

location

X
  • Born: Seattle, WA, USA
  • Based: Seattle, WA, USA

comments

X

Bloodmutha's Womb

Kat Larson

2011 Video & performance art Variable dimensions

contributor

X

Kat Larson

b. 1979

Kat Larson is a Seattle-based cross-disciplinary artist. Her art practice includes printmaking, painting, small scale sculpture, performance and video. She is currently focusing on video and performative installations and exploring her body as a conduit for spiritual connections, specifically with her female ancestors whom she has tagged “BloodMuthas.” Outside of video and performance, she continues to work with striking found objects, clay, encaustics, and organic materials such as dead bees and dirt.

Photograph by Lindsay Borden.

My name is Kat Larson, and I am bi-racial woman practicing fine art in the Pacific Northwest. My current artistic focus is exploring the intersections of new media/digital technologies and performance art. Fueling my practice are the themes of identity and spirituality and investigations of collective consciousness. At the core of my artistic expressions is a reverence for human connectivities and transformations.

I envision the art that I produce affecting positively those who come into contact with my work, as it invites people to travel into the often dark corners of human experience that people dare travel to on their own. However unknown and frightening these spaces are, my work reaches out to viewers—asking them for their trust—and assuages their anxiety through meaningful interactions with questions, ideas, and concepts that are embedded in my work. My audience can feel the strength of my feminine powers. Though sometimes very raw in form and expressiveness, my work nonetheless provokes people to ask important questions about matriarchy, ancestry, sexuality, and life and death. These are topics that connect us as individuals and as part of the many communities in which we find ourselves. When we publicly engage in this type of discourse, we not only realize our connectivity but also transformative strategies for the betterment of humanity. In short, my work initiates critical and timely conversations about community.

location

X
  • Born: Seattle, WA, USA
  • Based: Seattle, WA, USA

comments

X

Tension & From Tit to Grave

Kat Larson

2011 Video and Performance Art Dual channel video installation; looped

contributor

X

Kat Larson

b. 1979

Kat Larson is a Seattle-based cross-disciplinary artist. Her art practice includes printmaking, painting, small scale sculpture, performance and video. She is currently focusing on video and performative installations and exploring her body as a conduit for spiritual connections, specifically with her female ancestors whom she has tagged “BloodMuthas.” Outside of video and performance, she continues to work with striking found objects, clay, encaustics, and organic materials such as dead bees and dirt.

Photograph by Lindsay Borden.

My name is Kat Larson, and I am bi-racial woman practicing fine art in the Pacific Northwest. My current artistic focus is exploring the intersections of new media/digital technologies and performance art. Fueling my practice are the themes of identity and spirituality and investigations of collective consciousness. At the core of my artistic expressions is a reverence for human connectivities and transformations.

I envision the art that I produce affecting positively those who come into contact with my work, as it invites people to travel into the often dark corners of human experience that people dare travel to on their own. However unknown and frightening these spaces are, my work reaches out to viewers—asking them for their trust—and assuages their anxiety through meaningful interactions with questions, ideas, and concepts that are embedded in my work. My audience can feel the strength of my feminine powers. Though sometimes very raw in form and expressiveness, my work nonetheless provokes people to ask important questions about matriarchy, ancestry, sexuality, and life and death. These are topics that connect us as individuals and as part of the many communities in which we find ourselves. When we publicly engage in this type of discourse, we not only realize our connectivity but also transformative strategies for the betterment of humanity. In short, my work initiates critical and timely conversations about community.

location

X
  • Born: Seattle, WA, USA
  • Based: Seattle, WA, USA

comments

X

TheKatherines

Kat Larson

2012 Video and performance Duration: 44s Material courtesy of the artist

contributor

X

Kat Larson

b. 1979

Kat Larson is a Seattle-based cross-disciplinary artist. Her art practice includes printmaking, painting, small scale sculpture, performance and video. She is currently focusing on video and performative installations and exploring her body as a conduit for spiritual connections, specifically with her female ancestors whom she has tagged “BloodMuthas.” Outside of video and performance, she continues to work with striking found objects, clay, encaustics, and organic materials such as dead bees and dirt.

Photograph by Lindsay Borden.

My name is Kat Larson, and I am bi-racial woman practicing fine art in the Pacific Northwest. My current artistic focus is exploring the intersections of new media/digital technologies and performance art. Fueling my practice are the themes of identity and spirituality and investigations of collective consciousness. At the core of my artistic expressions is a reverence for human connectivities and transformations.

I envision the art that I produce affecting positively those who come into contact with my work, as it invites people to travel into the often dark corners of human experience that people dare travel to on their own. However unknown and frightening these spaces are, my work reaches out to viewers—asking them for their trust—and assuages their anxiety through meaningful interactions with questions, ideas, and concepts that are embedded in my work. My audience can feel the strength of my feminine powers. Though sometimes very raw in form and expressiveness, my work nonetheless provokes people to ask important questions about matriarchy, ancestry, sexuality, and life and death. These are topics that connect us as individuals and as part of the many communities in which we find ourselves. When we publicly engage in this type of discourse, we not only realize our connectivity but also transformative strategies for the betterment of humanity. In short, my work initiates critical and timely conversations about community.

location

X
  • Born: Seattle, WA, USA
  • Based: Seattle, WA, USA

comments

X

Deception Pass

Kat Larson

2013 Video & performance art Variable dimensions CA+T Commissioned Work

contributor

X

Kat Larson

b. 1979

Kat Larson is a Seattle-based cross-disciplinary artist. Her art practice includes printmaking, painting, small scale sculpture, performance and video. She is currently focusing on video and performative installations and exploring her body as a conduit for spiritual connections, specifically with her female ancestors whom she has tagged “BloodMuthas.” Outside of video and performance, she continues to work with striking found objects, clay, encaustics, and organic materials such as dead bees and dirt.

Photograph by Lindsay Borden.

My name is Kat Larson, and I am bi-racial woman practicing fine art in the Pacific Northwest. My current artistic focus is exploring the intersections of new media/digital technologies and performance art. Fueling my practice are the themes of identity and spirituality and investigations of collective consciousness. At the core of my artistic expressions is a reverence for human connectivities and transformations.

I envision the art that I produce affecting positively those who come into contact with my work, as it invites people to travel into the often dark corners of human experience that people dare travel to on their own. However unknown and frightening these spaces are, my work reaches out to viewers—asking them for their trust—and assuages their anxiety through meaningful interactions with questions, ideas, and concepts that are embedded in my work. My audience can feel the strength of my feminine powers. Though sometimes very raw in form and expressiveness, my work nonetheless provokes people to ask important questions about matriarchy, ancestry, sexuality, and life and death. These are topics that connect us as individuals and as part of the many communities in which we find ourselves. When we publicly engage in this type of discourse, we not only realize our connectivity but also transformative strategies for the betterment of humanity. In short, my work initiates critical and timely conversations about community.

location

X
  • Born: Seattle, WA, USA
  • Based: Seattle, WA, USA

comments

X