Over the past decade, the focus of my work has been directed on expressing ideas of singularity and exploring themes regarding the subject of Unity. Original inspirations for these ideas were found in studies of Rumi's poetry, Quantum physics and Monistic belief systems.

In addition to my figurative linear paintings, a second method of application also evolved simultaneously, using lines to overlap different content. Examining unrelated themes and conjuring new relationships, a labyrinth of lines were born by overlapping different subjects. Mrs. Heinz (2003) was a hybrid image of a Japanese geisha and a Ketchup bottle, weaving contemporary flavor to an allegory for taste and traditional customs of pleasure. Rabbit-Face (2003) was a cross between a man's head and a rabbit, referencing a merge between the intellect and the beast inside. These works were followed by the Tulips-Teeth series (2007) and The Golden Rule (2012) which continued to explore a mélange of content, examining connections among iconic figures and such themes as nature, beauty, and decay.

To express and manifest ideas of singularity, different mediums and a variety of contents are continually explored. Irrespective of content, however, my work is a continual meditation on what lies beneath the form: a universe within which subject and object merge into one. A place where there is no separation between the teacher and the thought, away from duality and into the subterranean landscape of union. Even though sources for most of my content are external, my work is often an attempt for the union of the internal.

Over the past decade, the focus of my work has been directed on expressing ideas of singularity and exploring themes regarding the subject of Unity. Original inspirations for these ideas were found in studies of Rumi's poetry, Quantum physics and Monistic belief systems.

In addition to my figurative linear paintings, a second method of application also evolved simultaneously, using lines to overlap different content. Examining unrelated themes and conjuring new relationships, a labyrinth of lines were born by overlapping different subjects. Mrs. Heinz (2003) was a hybrid image of a Japanese geisha and a Ketchup bottle, weaving contemporary flavor to an allegory for taste and traditional customs of pleasure. Rabbit-Face (2003) was a cross between a man's head and a rabbit, referencing a merge between the intellect and the beast inside. These works were followed by the Tulips-Teeth series (2007) and The Golden Rule (2012) which continued to explore a mélange of content, examining connections among iconic figures and such themes as nature, beauty, and decay.

To express and manifest ideas of singularity, different mediums and a variety of contents are continually explored. Irrespective of content, however, my work is a continual meditation on what lies beneath the form: a universe within which subject and object merge into one. A place where there is no separation between the teacher and the thought, away from duality and into the subterranean landscape of union. Even though sources for most of my content are external, my work is often an attempt for the union of the internal.

Over the past decade, the focus of my work has been directed on expressing ideas of singularity and exploring themes regarding the subject of Unity. Original inspirations for these ideas were found in studies of Rumi's poetry, Quantum physics and Monistic belief systems.

In addition to my figurative linear paintings, a second method of application also evolved simultaneously, using lines to overlap different content. Examining unrelated themes and conjuring new relationships, a labyrinth of lines were born by overlapping different subjects. Mrs. Heinz (2003) was a hybrid image of a Japanese geisha and a Ketchup bottle, weaving contemporary flavor to an allegory for taste and traditional customs of pleasure. Rabbit-Face (2003) was a cross between a man's head and a rabbit, referencing a merge between the intellect and the beast inside. These works were followed by the Tulips-Teeth series (2007) and The Golden Rule (2012) which continued to explore a mélange of content, examining connections among iconic figures and such themes as nature, beauty, and decay.

To express and manifest ideas of singularity, different mediums and a variety of contents are continually explored. Irrespective of content, however, my work is a continual meditation on what lies beneath the form: a universe within which subject and object merge into one. A place where there is no separation between the teacher and the thought, away from duality and into the subterranean landscape of union. Even though sources for most of my content are external, my work is often an attempt for the union of the internal.

Over the past decade, the focus of my work has been directed on expressing ideas of singularity and exploring themes regarding the subject of Unity. Original inspirations for these ideas were found in studies of Rumi's poetry, Quantum physics and Monistic belief systems.

In addition to my figurative linear paintings, a second method of application also evolved simultaneously, using lines to overlap different content. Examining unrelated themes and conjuring new relationships, a labyrinth of lines were born by overlapping different subjects. Mrs. Heinz (2003) was a hybrid image of a Japanese geisha and a Ketchup bottle, weaving contemporary flavor to an allegory for taste and traditional customs of pleasure. Rabbit-Face (2003) was a cross between a man's head and a rabbit, referencing a merge between the intellect and the beast inside. These works were followed by the Tulips-Teeth series (2007) and The Golden Rule (2012) which continued to explore a mélange of content, examining connections among iconic figures and such themes as nature, beauty, and decay.

To express and manifest ideas of singularity, different mediums and a variety of contents are continually explored. Irrespective of content, however, my work is a continual meditation on what lies beneath the form: a universe within which subject and object merge into one. A place where there is no separation between the teacher and the thought, away from duality and into the subterranean landscape of union. Even though sources for most of my content are external, my work is often an attempt for the union of the internal.

Over the past decade, the focus of my work has been directed on expressing ideas of singularity and exploring themes regarding the subject of Unity. Original inspirations for these ideas were found in studies of Rumi's poetry, Quantum physics and Monistic belief systems.

In addition to my figurative linear paintings, a second method of application also evolved simultaneously, using lines to overlap different content. Examining unrelated themes and conjuring new relationships, a labyrinth of lines were born by overlapping different subjects. Mrs. Heinz (2003) was a hybrid image of a Japanese geisha and a Ketchup bottle, weaving contemporary flavor to an allegory for taste and traditional customs of pleasure. Rabbit-Face (2003) was a cross between a man's head and a rabbit, referencing a merge between the intellect and the beast inside. These works were followed by the Tulips-Teeth series (2007) and The Golden Rule (2012) which continued to explore a mélange of content, examining connections among iconic figures and such themes as nature, beauty, and decay.

To express and manifest ideas of singularity, different mediums and a variety of contents are continually explored. Irrespective of content, however, my work is a continual meditation on what lies beneath the form: a universe within which subject and object merge into one. A place where there is no separation between the teacher and the thought, away from duality and into the subterranean landscape of union. Even though sources for most of my content are external, my work is often an attempt for the union of the internal.

Over the past decade, the focus of my work has been directed on expressing ideas of singularity and exploring themes regarding the subject of Unity. Original inspirations for these ideas were found in studies of Rumi's poetry, Quantum physics and Monistic belief systems.

In addition to my figurative linear paintings, a second method of application also evolved simultaneously, using lines to overlap different content. Examining unrelated themes and conjuring new relationships, a labyrinth of lines were born by overlapping different subjects. Mrs. Heinz (2003) was a hybrid image of a Japanese geisha and a Ketchup bottle, weaving contemporary flavor to an allegory for taste and traditional customs of pleasure. Rabbit-Face (2003) was a cross between a man's head and a rabbit, referencing a merge between the intellect and the beast inside. These works were followed by the Tulips-Teeth series (2007) and The Golden Rule (2012) which continued to explore a mélange of content, examining connections among iconic figures and such themes as nature, beauty, and decay.

To express and manifest ideas of singularity, different mediums and a variety of contents are continually explored. Irrespective of content, however, my work is a continual meditation on what lies beneath the form: a universe within which subject and object merge into one. A place where there is no separation between the teacher and the thought, away from duality and into the subterranean landscape of union. Even though sources for most of my content are external, my work is often an attempt for the union of the internal.