April 30, 2014

Food Worlds’ Multi-Platform Launch

Clare Counihan

What are the historical determinants and legacies of Filipino foods? How do foods travel as part of the labor diaspora? How does food ground, enable or destabilize Filipino identities?

LOS ANGELES, CA (April 30, 2014) -- The Center for Art and Thought (CA+T), a web-based arts and education nonprofit organization, is pleased to announce the launch of its next virtual curated exhibition, Food Worlds, on CA+T's website (www.centerforartandthought.org) and Pinterest site (http://www.pinterest.com/artandthought/adobo-my-way/).

Co-curated by Clare Counihan and Sarita See, Food Worlds assembles artists and scholars who together create a map of the world through Filipino food. And what a rich, unending series of combinations and juxtapositions that has turned out to be. Worlds, plural. Inspired by Doreen G. Fernandez’s ground-breaking research into Filipino food histories and culture, this virtual exhibition considers what making and eating Filipino food reveals about Filipinos in the Philippines and its wide-flung diaspora, as well as those others who (refuse to) eat Filipino. Thus, we focus on the Philippines but also extend our analysis to other communities shaped by the multiple specters of colonialism, militarization, and globalization.

As works by Laura Kina and Wesley Ueunten, Jessica Hagedorn and Alexander Orquiza suggest, food is a key way to understand the intimacies and alienations of colonial presences throughout the pacific, while Johanna Poethig, Tim Manalo and Elaine Castillo reflect on those same negotiations far from “home.” Martin Manalansan, Nerissa Balce, and Jerry Takigawa further complicate notions of “food” by exploring the politics of smell, production and waste. For a full list of contributors please see the extended curatorial statement (http://www.centerforartandthought.org/work/project/food-worlds).

Yana Gilbuena, CA+T’s new Artist in Residence, translates Food Worlds’ questions into a traveling exploration of cooking and community. During her residency, she documents and reflects on her ongoing SALO project: in a different city in a different state each week, she hosts a pop up dinner of regional Filipino foods over the course of fifty weeks. She depends upon what she can find locally—from produce to flavorings—and strangers in each city share new (or familiar) dishes and, briefly, lives.

Alongside Food Worlds, CA+T is also hosting Adobo MY Way, a search for the best adobo recipe (http://www.pinterest.com/artandthought/adobo-my-way/). The unofficial national dish of the Philippines, adobo reveals the rich regional and individual variations in Filipino food. We challenge every cook who’s ever claimed that “adobo my way is the best” to join the competition. The five recipes with the most “re-pins” by June 15, 2014 will win an adobo-themed CA+T tote bag—and bragging rights.

About the Center for Art and Thought

curated exhibition

Cruising

How do we think about cruising in a multi-dimensional and multi-faceted framework that encompasses the experience of queerness in an age where “cruising” can be imagined beyond a geographical space?

Cruising in this group exhibition inhabits several registers of embodiment, sensation, space, and temporality. In homage to José Muñoz’s Cruising Utopia, Cruising navigates the many ways that Muñoz engages with the quotidian, or the everyday moments, of queer life. This exhibition moves through “cruising” as both a fluid and fragmented concept. The works of each of the five artists—Marissa Cruz, Kelvin Burzon, Jana Ercilla, Daniel Ballesteros, and Adrian Alarilla—contribute to themes of intimacy, time, space, abundance, ephemerality, tenderness, and distance.

These artists work through different definitions and possibilities of cruising as a queer way of life. Instead of situating “cruising” as a definitive action, spatial concept, or “event,” these artists readjust the scope of cruising into a larger frame of quotidian queer life where viewers can see a past, present, and future of “cruising” that includes health, transitions, routines, and dis/comforts. Often times these moments in queer life are brushed over or perhaps only surface in crisis; however, these are the moments that necessitate slowness and care. What happens when queer bodies are able to think and move beyond crisis and into futurity?

Daniel Ballesteros’s series Night Pictures evokes a simultaneous feeling of loneliness, abundance, and timeliness by allowing us to visually experience a transition defined by the seasons.

Jana Ercilla’s Normalcy allows the viewer to walk through the intimacy of her home and routines, which lends viewers a space we can envision ourselves in or be a part of.

Kelvin Burzon’s Latex series reconstructs the parts of the body with condoms, raw meat, and thread that reminds viewers of the many sensitivities their bodies hold, their entanglements with other bodies, and their health.

Marissa Cruz ruptures typical conceptions of space through her digital reproductions of space and movement by obscuring and masking her backgrounds with both intimate and public space accompanied by dance, music, and her own body.

Lastly, Adrian Alarilla’s Queer Transnational Love in the Time of Social Media and Globalization achingly excavates the quotidian moments of our digital lives where pain, love, and distance paint our relationships.



Curated by the Center for Art and Thought, with special acknowledgment and thanks to Filipino American Artist Directory. For more information about the artists and FAAD, navigate to. https://www.filamartistdirectory.com/

Contributors: Adrian Alarilla, Daniel Ballesteros, Kelvin Burzon, Marissa Cruz, and Jana Ercilla

Spring 2019

Web Me Pt. 1

Marissa Sean Cruz

2017 Video Duration: 5 min. 35 secs. Courtesy of the artist

contributor

X

Marissa Sean Cruz

b. 1996
image description
  • See All Works
  • visit website

Marissa Sean Cruz is a Canadian interdisciplinary artist. Cruz’s practice is based in Montreal, Canada where she focuses on video and sculpture. As a queer biracial Filipinx, much of Cruz's work acts as a rapprochement into the complexities of racial identity and reconciliation of sexual and social absurdities of daily “feminine” rituals.

Cruz is a celebrated video artist who has had work displayed throughout Canada. Her work provocatively intertwines humor and symbolism to criticize oppressive systems within society and on the internet.

location

X
  • Born: Halifax, Canada
  • Based: Montreal, Quebec, Canada

comments

X

Web Me Pt. 2

Marissa Sean Cruz

2017 Video Duration: 1 min. 27 secs. Courtesy of the artist

contributor

X

Marissa Sean Cruz

b. 1996
image description
  • See All Works
  • visit website

Marissa Sean Cruz is a Canadian interdisciplinary artist. Cruz’s practice is based in Montreal, Canada where she focuses on video and sculpture. As a queer biracial Filipinx, much of Cruz's work acts as a rapprochement into the complexities of racial identity and reconciliation of sexual and social absurdities of daily “feminine” rituals.

Cruz is a celebrated video artist who has had work displayed throughout Canada. Her work provocatively intertwines humor and symbolism to criticize oppressive systems within society and on the internet.

location

X
  • Born: Halifax, Canada
  • Based: Montreal, Quebec, Canada

comments

X

Web Me Pt. 3

Marissa Sean Cruz

2017 Video Duration: 4 min. 13 secs. Courtesy of the artist

contributor

X

Marissa Sean Cruz

b. 1996
image description
  • See All Works
  • visit website

Marissa Sean Cruz is a Canadian interdisciplinary artist. Cruz’s practice is based in Montreal, Canada where she focuses on video and sculpture. As a queer biracial Filipinx, much of Cruz's work acts as a rapprochement into the complexities of racial identity and reconciliation of sexual and social absurdities of daily “feminine” rituals.

Cruz is a celebrated video artist who has had work displayed throughout Canada. Her work provocatively intertwines humor and symbolism to criticize oppressive systems within society and on the internet.

location

X
  • Born: Halifax, Canada
  • Based: Montreal, Quebec, Canada

comments

X

LATEX: Heart

Kelvin Burzon

2016 - 2017 Archival inkjet print 14" x 14" Courtesy of the artist.

contributor

X

Kelvin Burzon

b. 1989
image description
  • See All Works
  • visit website

Kelvin Burzon is a Filipino American artist whose work explores intersections of sexuality, race, gender and religion. His most recent work investigates religion’s role in culture and familial relationships and highlights religion’s traditions, imagery, theatricality, and psychological vestiges. He graduated from Wabash College (Indiana) and received his M.F.A. from Indiana University’s School of Art, Architecture + Design. His work has been exhibited abroad and all over the country and is a part of several permanent collections, including The Kinsey Institute and the Center for Photography at Woodstock. He has presented his work at several conventions, including the Society of Photographic Education’s regional and national conferences. Burzon continues to push his work with inspirations from the past, recontextualized narratives, and imagery of religion, paired with the never-ending stimulation and inspiration from the LGBTQ+ community

“CAUTION: This Product Contains Natural Rubber Latex Which May Cause Allergic Reactions. Latex condoms are intended to prevent pregnancy, HIV/AIDS, and other sexually transmitted infections.”

The Natural Rubber Series is an exploration of imagery that brings to the foreground issues of contraception methods in the modern world. The photographs question the ethical and the natural, the positive and the negatives, and the vulgar and the beautiful.

location

X
  • Born: Orani, Bataan
  • Based: Bloomington, IN, USA

comments

X

LATEX: Andro

Kelvin Burzon

2016 - 2017 Archival inkjet print 14" x 14" Courtesy of the artist.

contributor

X

Kelvin Burzon

b. 1989
image description
  • See All Works
  • visit website

Kelvin Burzon is a Filipino American artist whose work explores intersections of sexuality, race, gender and religion. His most recent work investigates religion’s role in culture and familial relationships and highlights religion’s traditions, imagery, theatricality, and psychological vestiges. He graduated from Wabash College (Indiana) and received his M.F.A. from Indiana University’s School of Art, Architecture + Design. His work has been exhibited abroad and all over the country and is a part of several permanent collections, including The Kinsey Institute and the Center for Photography at Woodstock. He has presented his work at several conventions, including the Society of Photographic Education’s regional and national conferences. Burzon continues to push his work with inspirations from the past, recontextualized narratives, and imagery of religion, paired with the never-ending stimulation and inspiration from the LGBTQ+ community

“CAUTION: This Product Contains Natural Rubber Latex Which May Cause Allergic Reactions. Latex condoms are intended to prevent pregnancy, HIV/AIDS, and other sexually transmitted infections.”

The Natural Rubber Series is an exploration of imagery that brings to the foreground issues of contraception methods in the modern world. The photographs question the ethical and the natural, the positive and the negatives, and the vulgar and the beautiful.

location

X
  • Born: Orani, Bataan
  • Based: Bloomington, IN, USA

comments

X

LATEX: Kidneys

Kelvin Burzon

2016 - 2017 Archival inkjet print 14" x 14" Courtesy of the artist.

contributor

X

Kelvin Burzon

b. 1989
image description
  • See All Works
  • visit website

Kelvin Burzon is a Filipino American artist whose work explores intersections of sexuality, race, gender and religion. His most recent work investigates religion’s role in culture and familial relationships and highlights religion’s traditions, imagery, theatricality, and psychological vestiges. He graduated from Wabash College (Indiana) and received his M.F.A. from Indiana University’s School of Art, Architecture + Design. His work has been exhibited abroad and all over the country and is a part of several permanent collections, including The Kinsey Institute and the Center for Photography at Woodstock. He has presented his work at several conventions, including the Society of Photographic Education’s regional and national conferences. Burzon continues to push his work with inspirations from the past, recontextualized narratives, and imagery of religion, paired with the never-ending stimulation and inspiration from the LGBTQ+ community

“CAUTION: This Product Contains Natural Rubber Latex Which May Cause Allergic Reactions. Latex condoms are intended to prevent pregnancy, HIV/AIDS, and other sexually transmitted infections.”

The Natural Rubber Series is an exploration of imagery that brings to the foreground issues of contraception methods in the modern world. The photographs question the ethical and the natural, the positive and the negatives, and the vulgar and the beautiful.

location

X
  • Born: Orani, Bataan
  • Based: Bloomington, IN, USA

comments

X

LATEX: Gyno

Kelvin Burzon

2016 - 2017 Archival inkjet print 14" x 14" Courtesy of the artist.

contributor

X

Kelvin Burzon

b. 1989
image description
  • See All Works
  • visit website

Kelvin Burzon is a Filipino American artist whose work explores intersections of sexuality, race, gender and religion. His most recent work investigates religion’s role in culture and familial relationships and highlights religion’s traditions, imagery, theatricality, and psychological vestiges. He graduated from Wabash College (Indiana) and received his M.F.A. from Indiana University’s School of Art, Architecture + Design. His work has been exhibited abroad and all over the country and is a part of several permanent collections, including The Kinsey Institute and the Center for Photography at Woodstock. He has presented his work at several conventions, including the Society of Photographic Education’s regional and national conferences. Burzon continues to push his work with inspirations from the past, recontextualized narratives, and imagery of religion, paired with the never-ending stimulation and inspiration from the LGBTQ+ community

“CAUTION: This Product Contains Natural Rubber Latex Which May Cause Allergic Reactions. Latex condoms are intended to prevent pregnancy, HIV/AIDS, and other sexually transmitted infections.”

The Natural Rubber Series is an exploration of imagery that brings to the foreground issues of contraception methods in the modern world. The photographs question the ethical and the natural, the positive and the negatives, and the vulgar and the beautiful.

location

X
  • Born: Orani, Bataan
  • Based: Bloomington, IN, USA

comments

X

Normalcy #8

Jana Ercilla

2015 Color Film Photography 7.5" x 12" Courtesy of the artist.

contributor

X

Jana Ercilla

b. 1991
image description
  • See All Works
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Jana Ercilla was born in the Philippines and is currently based in San Antonio, Texas where she received her B.F.A. in Photography from Texas State University. Her work reflects her interest in marrying traditional art with modern conceptualism and expanding those viewpoints with her own experience as a gay woman and person of color. Jana is currently involved with the Filipino American Artist Directory and has shown her work in different parts of the United States. She is currently working on projects that are simultaneously helping her understand and accept herself within the societal confines into which she was born.

location

X
  • Born: Quezon City, Philippines
  • Based: San Antonio, TX, US

comments

X

Normalcy #11

Jana Ercilla

2015 Color Film Photography 7.5" x 12" Courtesy of the artist.

contributor

X

Jana Ercilla

b. 1991
image description
  • See All Works
  • facebook
  • visit website

Jana Ercilla was born in the Philippines and is currently based in San Antonio, Texas where she received her B.F.A. in Photography from Texas State University. Her work reflects her interest in marrying traditional art with modern conceptualism and expanding those viewpoints with her own experience as a gay woman and person of color. Jana is currently involved with the Filipino American Artist Directory and has shown her work in different parts of the United States. She is currently working on projects that are simultaneously helping her understand and accept herself within the societal confines into which she was born.

location

X
  • Born: Quezon City, Philippines
  • Based: San Antonio, TX, US

comments

X

Normalcy #6

Jana Ercilla

2015 Color Film Photography 7.5" x 12" Courtesy of the artist.

contributor

X

Jana Ercilla

b. 1991
image description
  • See All Works
  • facebook
  • visit website

Jana Ercilla was born in the Philippines and is currently based in San Antonio, Texas where she received her B.F.A. in Photography from Texas State University. Her work reflects her interest in marrying traditional art with modern conceptualism and expanding those viewpoints with her own experience as a gay woman and person of color. Jana is currently involved with the Filipino American Artist Directory and has shown her work in different parts of the United States. She is currently working on projects that are simultaneously helping her understand and accept herself within the societal confines into which she was born.

location

X
  • Born: Quezon City, Philippines
  • Based: San Antonio, TX, US

comments

X