April 14, 2014

Call for Submissions to CA+T's Next Virtual Exhibition Storm: A Haiyan Recovery Project

Johanna F. Almiron and J. Lorenzo Perillo

What remains significant about Typhoon Haiyan in the lives of Filipinos in the Philippines and the diaspora? How is Haiyan part of a larger discourse on global disasters both natural and manmade?

LOS ANGELES, CA (April 14, 2014) -- The Center for Art and Thought (CA+T), a web-based arts and education nonprofit organization, announces a call for submissions to its virtual curated exhibition, Storm: A Haiyan Recovery Project. The exhibition is expected to premier in November 2014 on CA+T's website.

To commemorate the first anniversary of Typhoon Haiyan/Yolanda, a storm of epic proportions that hit Central Philippines from November 2-11, 2013, this exhibition seeks to reflect upon its social, political, cultural, psychological and spiritual impact. In addition to forging a virtual gathering space to recognize the history, tragedy and mass loss incurred by Haiyan/Yolanda, the exhibition also seeks to archive the actions of global solidarity and of local mobilization through arts and culture amongst Filipinos, particularly Filipino Americans in North America. 

Under the direction of guest curators Johanna Almiron and Lorenzo PerilloStorm welcomes artistic and intellectual contributions that consider the social history, cultural politics, and symbolic dimensions of Typhoon Haiyan/Yolanda, including works that compare and relate it to other environmental catastrophes and cultural crises. We are interested in submissions responding to any of the following questions and beyond:

  • What remains significant about the storm in the lives of Filipinos in the Philippines and broader diaspora? In the wake of the storm, how do Filipinos make sense of the catastrophe? How is the Haiyan storm part of a larger discourse on global disasters both natural and manmade?
  • How does the storm expose the historical, cultural and political conditions of social inequality in the Philippines? For example, what does the government response in terms of resources reflect or reveal about the political structures of the Philippines?
  • In response to the storm, a unified Filipino diaspora as well as intra-island solidarity seemed to emerge. Under what terms or through what logics did the storm occasion this galvanization? Alternately, in what ways did Haiyan/ Yolanda also reveal the complex diversity among multiple Filipino communities or exacerbate underlying divisions?”
  • What do storms signify within Filipino cosmologies and spirituality? What role(s) do water, wind and natural catastrophe play within Filipino cultural frameworks in terms of recovery, struggle, trauma, survival, memory and loss? How are these cosmologies operating in the wake of Haiyan/Yolanda? How are they working to explain or negotiate the storm?
  • How might responses to Typhoon Haiyan mark a moment of transformation, revolution or dystopia, or apocalypse as captured through cultural production? And how might art, culture and community continue to shape its place within the contemporary historical memory of the Philippines?
  • How does Typhoon Haiyan fit within the discourse of environmental racism, climate change, globalization and imperialism? What are the potential transnational links between Haiyan and other historical catastrophes such as Hurricane Katrina (US Mississippi Delta, 2005) and earthquakes in Japan (2011) and Haiti (2010)?
  • How did the media (in the Philippines and abroad) characteristically represent the storm, the country-in-crisis, and Filipino people? How does the history of colonialism and imperialism in the Philippines inform these visual representations?  How have artists (literary, visual, music, performance) engaged these representations? 

​We welcome submissions from a range of perspectives and across media. CA+T’s virtual platform can accommodate digital images, sound files, film and video, creative and scholarly prose and poetry, PDFs, and more. The deadline for submissions is August 1, 2014.

Please send submissions to submissions@centerforartandthought.org with the subject line “Storm.”

About the Center for Art and Thought.

curated exhibition

Cruising

How do we think about cruising in a multi-dimensional and multi-faceted framework that encompasses the experience of queerness in an age where “cruising” can be imagined beyond a geographical space?

Cruising in this group exhibition inhabits several registers of embodiment, sensation, space, and temporality. In homage to José Muñoz’s Cruising Utopia, Cruising navigates the many ways that Muñoz engages with the quotidian, or the everyday moments, of queer life. This exhibition moves through “cruising” as both a fluid and fragmented concept. The works of each of the five artists—Marissa Cruz, Kelvin Burzon, Jana Ercilla, Daniel Ballesteros, and Adrian Alarilla—contribute to themes of intimacy, time, space, abundance, ephemerality, tenderness, and distance.

These artists work through different definitions and possibilities of cruising as a queer way of life. Instead of situating “cruising” as a definitive action, spatial concept, or “event,” these artists readjust the scope of cruising into a larger frame of quotidian queer life where viewers can see a past, present, and future of “cruising” that includes health, transitions, routines, and dis/comforts. Often times these moments in queer life are brushed over or perhaps only surface in crisis; however, these are the moments that necessitate slowness and care. What happens when queer bodies are able to think and move beyond crisis and into futurity?

Daniel Ballesteros’s series Night Pictures evokes a simultaneous feeling of loneliness, abundance, and timeliness by allowing us to visually experience a transition defined by the seasons.

Jana Ercilla’s Normalcy allows the viewer to walk through the intimacy of her home and routines, which lends viewers a space we can envision ourselves in or be a part of.

Kelvin Burzon’s Latex series reconstructs the parts of the body with condoms, raw meat, and thread that reminds viewers of the many sensitivities their bodies hold, their entanglements with other bodies, and their health.

Marissa Cruz ruptures typical conceptions of space through her digital reproductions of space and movement by obscuring and masking her backgrounds with both intimate and public space accompanied by dance, music, and her own body.

Lastly, Adrian Alarilla’s Queer Transnational Love in the Time of Social Media and Globalization achingly excavates the quotidian moments of our digital lives where pain, love, and distance paint our relationships.



Curated by the Center for Art and Thought, with special acknowledgment and thanks to Filipino American Artist Directory. For more information about the artists and FAAD, navigate to. https://www.filamartistdirectory.com/

Contributors: Adrian Alarilla, Daniel Ballesteros, Kelvin Burzon, Marissa Cruz, and Jana Ercilla

Spring 2019

Web Me Pt. 1

Marissa Sean Cruz

2017 Video Duration: 5 min. 35 secs. Courtesy of the artist

contributor

X

Marissa Sean Cruz

b. 1996
image description
  • See All Works
  • visit website

Marissa Sean Cruz is a Canadian interdisciplinary artist. Cruz’s practice is based in Montreal, Canada where she focuses on video and sculpture. As a queer biracial Filipinx, much of Cruz's work acts as a rapprochement into the complexities of racial identity and reconciliation of sexual and social absurdities of daily “feminine” rituals.

Cruz is a celebrated video artist who has had work displayed throughout Canada. Her work provocatively intertwines humor and symbolism to criticize oppressive systems within society and on the internet.

location

X
  • Born: Halifax, Canada
  • Based: Montreal, Quebec, Canada

comments

X

Web Me Pt. 2

Marissa Sean Cruz

2017 Video Duration: 1 min. 27 secs. Courtesy of the artist

contributor

X

Marissa Sean Cruz

b. 1996
image description
  • See All Works
  • visit website

Marissa Sean Cruz is a Canadian interdisciplinary artist. Cruz’s practice is based in Montreal, Canada where she focuses on video and sculpture. As a queer biracial Filipinx, much of Cruz's work acts as a rapprochement into the complexities of racial identity and reconciliation of sexual and social absurdities of daily “feminine” rituals.

Cruz is a celebrated video artist who has had work displayed throughout Canada. Her work provocatively intertwines humor and symbolism to criticize oppressive systems within society and on the internet.

location

X
  • Born: Halifax, Canada
  • Based: Montreal, Quebec, Canada

comments

X

Web Me Pt. 3

Marissa Sean Cruz

2017 Video Duration: 4 min. 13 secs. Courtesy of the artist

contributor

X

Marissa Sean Cruz

b. 1996
image description
  • See All Works
  • visit website

Marissa Sean Cruz is a Canadian interdisciplinary artist. Cruz’s practice is based in Montreal, Canada where she focuses on video and sculpture. As a queer biracial Filipinx, much of Cruz's work acts as a rapprochement into the complexities of racial identity and reconciliation of sexual and social absurdities of daily “feminine” rituals.

Cruz is a celebrated video artist who has had work displayed throughout Canada. Her work provocatively intertwines humor and symbolism to criticize oppressive systems within society and on the internet.

location

X
  • Born: Halifax, Canada
  • Based: Montreal, Quebec, Canada

comments

X

LATEX: Heart

Kelvin Burzon

2016 - 2017 Archival inkjet print 14" x 14" Courtesy of the artist.

contributor

X

Kelvin Burzon

b. 1989
image description
  • See All Works
  • visit website

Kelvin Burzon is a Filipino American artist whose work explores intersections of sexuality, race, gender and religion. His most recent work investigates religion’s role in culture and familial relationships and highlights religion’s traditions, imagery, theatricality, and psychological vestiges. He graduated from Wabash College (Indiana) and received his M.F.A. from Indiana University’s School of Art, Architecture + Design. His work has been exhibited abroad and all over the country and is a part of several permanent collections, including The Kinsey Institute and the Center for Photography at Woodstock. He has presented his work at several conventions, including the Society of Photographic Education’s regional and national conferences. Burzon continues to push his work with inspirations from the past, recontextualized narratives, and imagery of religion, paired with the never-ending stimulation and inspiration from the LGBTQ+ community

“CAUTION: This Product Contains Natural Rubber Latex Which May Cause Allergic Reactions. Latex condoms are intended to prevent pregnancy, HIV/AIDS, and other sexually transmitted infections.”

The Natural Rubber Series is an exploration of imagery that brings to the foreground issues of contraception methods in the modern world. The photographs question the ethical and the natural, the positive and the negatives, and the vulgar and the beautiful.

location

X
  • Born: Orani, Bataan
  • Based: Bloomington, IN, USA

comments

X

LATEX: Andro

Kelvin Burzon

2016 - 2017 Archival inkjet print 14" x 14" Courtesy of the artist.

contributor

X

Kelvin Burzon

b. 1989
image description
  • See All Works
  • visit website

Kelvin Burzon is a Filipino American artist whose work explores intersections of sexuality, race, gender and religion. His most recent work investigates religion’s role in culture and familial relationships and highlights religion’s traditions, imagery, theatricality, and psychological vestiges. He graduated from Wabash College (Indiana) and received his M.F.A. from Indiana University’s School of Art, Architecture + Design. His work has been exhibited abroad and all over the country and is a part of several permanent collections, including The Kinsey Institute and the Center for Photography at Woodstock. He has presented his work at several conventions, including the Society of Photographic Education’s regional and national conferences. Burzon continues to push his work with inspirations from the past, recontextualized narratives, and imagery of religion, paired with the never-ending stimulation and inspiration from the LGBTQ+ community

“CAUTION: This Product Contains Natural Rubber Latex Which May Cause Allergic Reactions. Latex condoms are intended to prevent pregnancy, HIV/AIDS, and other sexually transmitted infections.”

The Natural Rubber Series is an exploration of imagery that brings to the foreground issues of contraception methods in the modern world. The photographs question the ethical and the natural, the positive and the negatives, and the vulgar and the beautiful.

location

X
  • Born: Orani, Bataan
  • Based: Bloomington, IN, USA

comments

X

LATEX: Kidneys

Kelvin Burzon

2016 - 2017 Archival inkjet print 14" x 14" Courtesy of the artist.

contributor

X

Kelvin Burzon

b. 1989
image description
  • See All Works
  • visit website

Kelvin Burzon is a Filipino American artist whose work explores intersections of sexuality, race, gender and religion. His most recent work investigates religion’s role in culture and familial relationships and highlights religion’s traditions, imagery, theatricality, and psychological vestiges. He graduated from Wabash College (Indiana) and received his M.F.A. from Indiana University’s School of Art, Architecture + Design. His work has been exhibited abroad and all over the country and is a part of several permanent collections, including The Kinsey Institute and the Center for Photography at Woodstock. He has presented his work at several conventions, including the Society of Photographic Education’s regional and national conferences. Burzon continues to push his work with inspirations from the past, recontextualized narratives, and imagery of religion, paired with the never-ending stimulation and inspiration from the LGBTQ+ community

“CAUTION: This Product Contains Natural Rubber Latex Which May Cause Allergic Reactions. Latex condoms are intended to prevent pregnancy, HIV/AIDS, and other sexually transmitted infections.”

The Natural Rubber Series is an exploration of imagery that brings to the foreground issues of contraception methods in the modern world. The photographs question the ethical and the natural, the positive and the negatives, and the vulgar and the beautiful.

location

X
  • Born: Orani, Bataan
  • Based: Bloomington, IN, USA

comments

X

LATEX: Gyno

Kelvin Burzon

2016 - 2017 Archival inkjet print 14" x 14" Courtesy of the artist.

contributor

X

Kelvin Burzon

b. 1989
image description
  • See All Works
  • visit website

Kelvin Burzon is a Filipino American artist whose work explores intersections of sexuality, race, gender and religion. His most recent work investigates religion’s role in culture and familial relationships and highlights religion’s traditions, imagery, theatricality, and psychological vestiges. He graduated from Wabash College (Indiana) and received his M.F.A. from Indiana University’s School of Art, Architecture + Design. His work has been exhibited abroad and all over the country and is a part of several permanent collections, including The Kinsey Institute and the Center for Photography at Woodstock. He has presented his work at several conventions, including the Society of Photographic Education’s regional and national conferences. Burzon continues to push his work with inspirations from the past, recontextualized narratives, and imagery of religion, paired with the never-ending stimulation and inspiration from the LGBTQ+ community

“CAUTION: This Product Contains Natural Rubber Latex Which May Cause Allergic Reactions. Latex condoms are intended to prevent pregnancy, HIV/AIDS, and other sexually transmitted infections.”

The Natural Rubber Series is an exploration of imagery that brings to the foreground issues of contraception methods in the modern world. The photographs question the ethical and the natural, the positive and the negatives, and the vulgar and the beautiful.

location

X
  • Born: Orani, Bataan
  • Based: Bloomington, IN, USA

comments

X

Normalcy #8

Jana Ercilla

2015 Color Film Photography 7.5" x 12" Courtesy of the artist.

contributor

X

Jana Ercilla

b. 1991
image description
  • See All Works
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Jana Ercilla was born in the Philippines and is currently based in San Antonio, Texas where she received her B.F.A. in Photography from Texas State University. Her work reflects her interest in marrying traditional art with modern conceptualism and expanding those viewpoints with her own experience as a gay woman and person of color. Jana is currently involved with the Filipino American Artist Directory and has shown her work in different parts of the United States. She is currently working on projects that are simultaneously helping her understand and accept herself within the societal confines into which she was born.

location

X
  • Born: Quezon City, Philippines
  • Based: San Antonio, TX, US

comments

X

Normalcy #11

Jana Ercilla

2015 Color Film Photography 7.5" x 12" Courtesy of the artist.

contributor

X

Jana Ercilla

b. 1991
image description
  • See All Works
  • facebook
  • visit website

Jana Ercilla was born in the Philippines and is currently based in San Antonio, Texas where she received her B.F.A. in Photography from Texas State University. Her work reflects her interest in marrying traditional art with modern conceptualism and expanding those viewpoints with her own experience as a gay woman and person of color. Jana is currently involved with the Filipino American Artist Directory and has shown her work in different parts of the United States. She is currently working on projects that are simultaneously helping her understand and accept herself within the societal confines into which she was born.

location

X
  • Born: Quezon City, Philippines
  • Based: San Antonio, TX, US

comments

X

Normalcy #6

Jana Ercilla

2015 Color Film Photography 7.5" x 12" Courtesy of the artist.

contributor

X

Jana Ercilla

b. 1991
image description
  • See All Works
  • facebook
  • visit website

Jana Ercilla was born in the Philippines and is currently based in San Antonio, Texas where she received her B.F.A. in Photography from Texas State University. Her work reflects her interest in marrying traditional art with modern conceptualism and expanding those viewpoints with her own experience as a gay woman and person of color. Jana is currently involved with the Filipino American Artist Directory and has shown her work in different parts of the United States. She is currently working on projects that are simultaneously helping her understand and accept herself within the societal confines into which she was born.

location

X
  • Born: Quezon City, Philippines
  • Based: San Antonio, TX, US

comments

X