March 03, 2017

Call for Submissions: #100DaysOfResistance

Jan Christian Bernabe

Using the hashtag #100DaysOfResistance as the title of this project, CA+T will participate in the netroots activism that has brought together voices from all walks of life and geographic spaces by creating an online publication of art and writing.

The United States entered a new political regime with the inauguration of Donald J. Trump as President on January 20, 2017. Barely a day into his presidency, Trump faced hundreds of thousands of protestors during the Women’s March on Washington, around the country, and around the world. In the days that followed, Trump executed an Executive Order banning travel by people from seven predominantly Muslim countries—a de facto anti-Muslim law despite the White House’s claims to the contrary—that catalyzed protests at airports throughout the country. By the fourth week of the Trump presidency, the deportation of undocumented people increased as Immigrations and Customs Enforcement (ICE) officials implemented directives. Moreover, Trump’s cabinet nominees have incited vociferous opposition by Democratic Senators and a public concerned about those nominations’ lack of qualification and overt hostility to public education, the environment, LGBTQ protections, and so on. Clearly, his first 21 days in office indicate that Trump’s world view does not accommodate those who have been historically marginalized.

Simultaneously, career civil servants employed by the National Parks Service and Environmental Protection Agency, in response to gag orders on official public communications and social media from their agencies, have developed alternative forms of resistance. These events, in conjunction with statements by White House representatives and the President himself, have prompted the fear that the U.S. has entered an Orwellian fantasy, where “alternative facts” determine the public’s sense of true and false, of reality itself. Indeed, the word “resistance” has taken on multiform meanings in this current political climate within various government agencies and communities on the outside writ large.

Those opposing the new political regime have taken to the streets, both virtual and literal, to resist the rewriting of reality and an administration that seems intent on undoing decades of social progress in favor of a corporatist destruction of rights and protections. This popular resistance to Trump and his agenda during his first 100 days in office—perceived as a harbinger of the president’s four years—circulates under the hashtag #100DaysOfResistance, unifying actions by vastly disparate and sometimes historically antagonistic groups.

Using the hashtag #100DaysOfResistance as the title of this project, CA+T will participate in the netroots activism that has brought together voices from all walks of life and geographic spaces by creating an online publication of art and writing of those resisting Trump’s political machine. CA+T will also publish this archive of #100DaysOfResistance in order to provide an alternative, safe space for artists and writers. CA+T seeks submissions from all communities that engage with the hashtag #100DaysOfResistance. Our platform can host a wide range of genres and media, from written or recorded poetry and prose to visual, aural, and performance art captured digitally. No more than five pieces for submission.  For artwork or images, they should be sent to the address below as high-res files, 300dpi.  We use WeTransfer.com if the files are too large for email.

For inquiries and/or submissions, please email submissions@centerforartandthought.org.

Deadline: May 15, 2017

curated exhibition

Cruising

How do we think about cruising in a multi-dimensional and multi-faceted framework that encompasses the experience of queerness in an age where “cruising” can be imagined beyond a geographical space?

Cruising in this group exhibition inhabits several registers of embodiment, sensation, space, and temporality. In homage to José Muñoz’s Cruising Utopia, Cruising navigates the many ways that Muñoz engages with the quotidian, or the everyday moments, of queer life. This exhibition moves through “cruising” as both a fluid and fragmented concept. The works of each of the five artists—Marissa Cruz, Kelvin Burzon, Jana Ercilla, Daniel Ballesteros, and Adrian Alarilla—contribute to themes of intimacy, time, space, abundance, ephemerality, tenderness, and distance.

These artists work through different definitions and possibilities of cruising as a queer way of life. Instead of situating “cruising” as a definitive action, spatial concept, or “event,” these artists readjust the scope of cruising into a larger frame of quotidian queer life where viewers can see a past, present, and future of “cruising” that includes health, transitions, routines, and dis/comforts. Often times these moments in queer life are brushed over or perhaps only surface in crisis; however, these are the moments that necessitate slowness and care. What happens when queer bodies are able to think and move beyond crisis and into futurity?

Daniel Ballesteros’s series Night Pictures evokes a simultaneous feeling of loneliness, abundance, and timeliness by allowing us to visually experience a transition defined by the seasons.

Jana Ercilla’s Normalcy allows the viewer to walk through the intimacy of her home and routines, which lends viewers a space we can envision ourselves in or be a part of.

Kelvin Burzon’s Latex series reconstructs the parts of the body with condoms, raw meat, and thread that reminds viewers of the many sensitivities their bodies hold, their entanglements with other bodies, and their health.

Marissa Cruz ruptures typical conceptions of space through her digital reproductions of space and movement by obscuring and masking her backgrounds with both intimate and public space accompanied by dance, music, and her own body.

Lastly, Adrian Alarilla’s Queer Transnational Love in the Time of Social Media and Globalization achingly excavates the quotidian moments of our digital lives where pain, love, and distance paint our relationships.



Curated by the Center for Art and Thought, with special acknowledgment and thanks to Filipino American Artist Directory. For more information about the artists and FAAD, navigate to. https://www.filamartistdirectory.com/

Contributors: Adrian Alarilla, Daniel Ballesteros, Kelvin Burzon, Marissa Cruz, and Jana Ercilla

Spring 2019

Web Me Pt. 1

Marissa Sean Cruz

2017 Video Duration: 5 min. 35 secs. Courtesy of the artist

contributor

X

Marissa Sean Cruz

b. 1996
image description
  • See All Works
  • visit website

Marissa Sean Cruz is a Canadian interdisciplinary artist. Cruz’s practice is based in Montreal, Canada where she focuses on video and sculpture. As a queer biracial Filipinx, much of Cruz's work acts as a rapprochement into the complexities of racial identity and reconciliation of sexual and social absurdities of daily “feminine” rituals.

Cruz is a celebrated video artist who has had work displayed throughout Canada. Her work provocatively intertwines humor and symbolism to criticize oppressive systems within society and on the internet.

location

X
  • Born: Halifax, Canada
  • Based: Montreal, Quebec, Canada

comments

X

Web Me Pt. 2

Marissa Sean Cruz

2017 Video Duration: 1 min. 27 secs. Courtesy of the artist

contributor

X

Marissa Sean Cruz

b. 1996
image description
  • See All Works
  • visit website

Marissa Sean Cruz is a Canadian interdisciplinary artist. Cruz’s practice is based in Montreal, Canada where she focuses on video and sculpture. As a queer biracial Filipinx, much of Cruz's work acts as a rapprochement into the complexities of racial identity and reconciliation of sexual and social absurdities of daily “feminine” rituals.

Cruz is a celebrated video artist who has had work displayed throughout Canada. Her work provocatively intertwines humor and symbolism to criticize oppressive systems within society and on the internet.

location

X
  • Born: Halifax, Canada
  • Based: Montreal, Quebec, Canada

comments

X

Web Me Pt. 3

Marissa Sean Cruz

2017 Video Duration: 4 min. 13 secs. Courtesy of the artist

contributor

X

Marissa Sean Cruz

b. 1996
image description
  • See All Works
  • visit website

Marissa Sean Cruz is a Canadian interdisciplinary artist. Cruz’s practice is based in Montreal, Canada where she focuses on video and sculpture. As a queer biracial Filipinx, much of Cruz's work acts as a rapprochement into the complexities of racial identity and reconciliation of sexual and social absurdities of daily “feminine” rituals.

Cruz is a celebrated video artist who has had work displayed throughout Canada. Her work provocatively intertwines humor and symbolism to criticize oppressive systems within society and on the internet.

location

X
  • Born: Halifax, Canada
  • Based: Montreal, Quebec, Canada

comments

X

LATEX: Heart

Kelvin Burzon

2016 - 2017 Archival inkjet print 14" x 14" Courtesy of the artist.

contributor

X

Kelvin Burzon

b. 1989
image description
  • See All Works
  • visit website

Kelvin Burzon is a Filipino American artist whose work explores intersections of sexuality, race, gender and religion. His most recent work investigates religion’s role in culture and familial relationships and highlights religion’s traditions, imagery, theatricality, and psychological vestiges. He graduated from Wabash College (Indiana) and received his M.F.A. from Indiana University’s School of Art, Architecture + Design. His work has been exhibited abroad and all over the country and is a part of several permanent collections, including The Kinsey Institute and the Center for Photography at Woodstock. He has presented his work at several conventions, including the Society of Photographic Education’s regional and national conferences. Burzon continues to push his work with inspirations from the past, recontextualized narratives, and imagery of religion, paired with the never-ending stimulation and inspiration from the LGBTQ+ community

“CAUTION: This Product Contains Natural Rubber Latex Which May Cause Allergic Reactions. Latex condoms are intended to prevent pregnancy, HIV/AIDS, and other sexually transmitted infections.”

The Natural Rubber Series is an exploration of imagery that brings to the foreground issues of contraception methods in the modern world. The photographs question the ethical and the natural, the positive and the negatives, and the vulgar and the beautiful.

location

X
  • Born: Orani, Bataan
  • Based: Bloomington, IN, USA

comments

X

LATEX: Andro

Kelvin Burzon

2016 - 2017 Archival inkjet print 14" x 14" Courtesy of the artist.

contributor

X

Kelvin Burzon

b. 1989
image description
  • See All Works
  • visit website

Kelvin Burzon is a Filipino American artist whose work explores intersections of sexuality, race, gender and religion. His most recent work investigates religion’s role in culture and familial relationships and highlights religion’s traditions, imagery, theatricality, and psychological vestiges. He graduated from Wabash College (Indiana) and received his M.F.A. from Indiana University’s School of Art, Architecture + Design. His work has been exhibited abroad and all over the country and is a part of several permanent collections, including The Kinsey Institute and the Center for Photography at Woodstock. He has presented his work at several conventions, including the Society of Photographic Education’s regional and national conferences. Burzon continues to push his work with inspirations from the past, recontextualized narratives, and imagery of religion, paired with the never-ending stimulation and inspiration from the LGBTQ+ community

“CAUTION: This Product Contains Natural Rubber Latex Which May Cause Allergic Reactions. Latex condoms are intended to prevent pregnancy, HIV/AIDS, and other sexually transmitted infections.”

The Natural Rubber Series is an exploration of imagery that brings to the foreground issues of contraception methods in the modern world. The photographs question the ethical and the natural, the positive and the negatives, and the vulgar and the beautiful.

location

X
  • Born: Orani, Bataan
  • Based: Bloomington, IN, USA

comments

X

LATEX: Kidneys

Kelvin Burzon

2016 - 2017 Archival inkjet print 14" x 14" Courtesy of the artist.

contributor

X

Kelvin Burzon

b. 1989
image description
  • See All Works
  • visit website

Kelvin Burzon is a Filipino American artist whose work explores intersections of sexuality, race, gender and religion. His most recent work investigates religion’s role in culture and familial relationships and highlights religion’s traditions, imagery, theatricality, and psychological vestiges. He graduated from Wabash College (Indiana) and received his M.F.A. from Indiana University’s School of Art, Architecture + Design. His work has been exhibited abroad and all over the country and is a part of several permanent collections, including The Kinsey Institute and the Center for Photography at Woodstock. He has presented his work at several conventions, including the Society of Photographic Education’s regional and national conferences. Burzon continues to push his work with inspirations from the past, recontextualized narratives, and imagery of religion, paired with the never-ending stimulation and inspiration from the LGBTQ+ community

“CAUTION: This Product Contains Natural Rubber Latex Which May Cause Allergic Reactions. Latex condoms are intended to prevent pregnancy, HIV/AIDS, and other sexually transmitted infections.”

The Natural Rubber Series is an exploration of imagery that brings to the foreground issues of contraception methods in the modern world. The photographs question the ethical and the natural, the positive and the negatives, and the vulgar and the beautiful.

location

X
  • Born: Orani, Bataan
  • Based: Bloomington, IN, USA

comments

X

LATEX: Gyno

Kelvin Burzon

2016 - 2017 Archival inkjet print 14" x 14" Courtesy of the artist.

contributor

X

Kelvin Burzon

b. 1989
image description
  • See All Works
  • visit website

Kelvin Burzon is a Filipino American artist whose work explores intersections of sexuality, race, gender and religion. His most recent work investigates religion’s role in culture and familial relationships and highlights religion’s traditions, imagery, theatricality, and psychological vestiges. He graduated from Wabash College (Indiana) and received his M.F.A. from Indiana University’s School of Art, Architecture + Design. His work has been exhibited abroad and all over the country and is a part of several permanent collections, including The Kinsey Institute and the Center for Photography at Woodstock. He has presented his work at several conventions, including the Society of Photographic Education’s regional and national conferences. Burzon continues to push his work with inspirations from the past, recontextualized narratives, and imagery of religion, paired with the never-ending stimulation and inspiration from the LGBTQ+ community

“CAUTION: This Product Contains Natural Rubber Latex Which May Cause Allergic Reactions. Latex condoms are intended to prevent pregnancy, HIV/AIDS, and other sexually transmitted infections.”

The Natural Rubber Series is an exploration of imagery that brings to the foreground issues of contraception methods in the modern world. The photographs question the ethical and the natural, the positive and the negatives, and the vulgar and the beautiful.

location

X
  • Born: Orani, Bataan
  • Based: Bloomington, IN, USA

comments

X

Normalcy #8

Jana Ercilla

2015 Color Film Photography 7.5" x 12" Courtesy of the artist.

contributor

X

Jana Ercilla

b. 1991
image description
  • See All Works
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Jana Ercilla was born in the Philippines and is currently based in San Antonio, Texas where she received her B.F.A. in Photography from Texas State University. Her work reflects her interest in marrying traditional art with modern conceptualism and expanding those viewpoints with her own experience as a gay woman and person of color. Jana is currently involved with the Filipino American Artist Directory and has shown her work in different parts of the United States. She is currently working on projects that are simultaneously helping her understand and accept herself within the societal confines into which she was born.

location

X
  • Born: Quezon City, Philippines
  • Based: San Antonio, TX, US

comments

X

Normalcy #11

Jana Ercilla

2015 Color Film Photography 7.5" x 12" Courtesy of the artist.

contributor

X

Jana Ercilla

b. 1991
image description
  • See All Works
  • facebook
  • visit website

Jana Ercilla was born in the Philippines and is currently based in San Antonio, Texas where she received her B.F.A. in Photography from Texas State University. Her work reflects her interest in marrying traditional art with modern conceptualism and expanding those viewpoints with her own experience as a gay woman and person of color. Jana is currently involved with the Filipino American Artist Directory and has shown her work in different parts of the United States. She is currently working on projects that are simultaneously helping her understand and accept herself within the societal confines into which she was born.

location

X
  • Born: Quezon City, Philippines
  • Based: San Antonio, TX, US

comments

X

Normalcy #6

Jana Ercilla

2015 Color Film Photography 7.5" x 12" Courtesy of the artist.

contributor

X

Jana Ercilla

b. 1991
image description
  • See All Works
  • facebook
  • visit website

Jana Ercilla was born in the Philippines and is currently based in San Antonio, Texas where she received her B.F.A. in Photography from Texas State University. Her work reflects her interest in marrying traditional art with modern conceptualism and expanding those viewpoints with her own experience as a gay woman and person of color. Jana is currently involved with the Filipino American Artist Directory and has shown her work in different parts of the United States. She is currently working on projects that are simultaneously helping her understand and accept herself within the societal confines into which she was born.

location

X
  • Born: Quezon City, Philippines
  • Based: San Antonio, TX, US

comments

X